空间解构#24(包装)，2020 - 2021

油墨颜料绘制在涤纶上的艺术作品，它被展示在柱子上。

500 x 1000 x 150cm深

澳大利亚墨尔本里士满市政厅。

由格蕾丝·朗加托（Grace Longato）策划

市议会邀请了这位艺术家，创作了这个短暂的特定场地干预艺术品，作品是为了响应年底庆祝活动而创作的。

从概念上讲，建筑的主要特征是四个对称的柱子，它们与街道相交，被包裹成一个“礼物”，在Coulter的高度彩色调色板中，努力创造一个民主的姿态，以迎接节日季节，并结束一个充满社会挑战的一年。

通过一系列特定场地的作品，艺术家将其命名为“空间解构”，她重新创造了建筑，将其同时呈现为一幅画和一个支撑结构。嵌入在作品中的还有社会背景，将作品延伸到正式的关注之外，并向社区提供微妙的信息。这些都是通过色彩序列的感性光学和建筑的重新定位来传达的。

图片来源:Emma Coulter

spatial deconstruction #24 (wrapper),  2020 to 2021

ink pigment on polyester on columns

500 x 1000 x 150cm deep

RICHMOND TOWN HALL, Melbourne, Australia.

Curated by Grace Longato

The artist was invited by the City of Yarra, to create this ephemeral site specific intervention, which was created in response to the end of year celebrations.

Conceptually the building’s dominant features, the four symmetrical columns which intersect the street, were wrapped as a ‘gift’, in Coulter’s highly chromatic palette, in an effort to create a democratic gesture towards the holiday season, and the end of a socially challenging year.

Through her series of site-specific works, which the artist names ‘spatial deconstructions’, she reinvents the architecture, rendering it a painting and a support structure all at once. Embedded within the work, is also the social context, extending the work beyond formal concerns, and offering, subtle messages to the community. These are conveyed through the perceptual optics of colour sequences, and the repositioning of architecture.

Photo Credits: Emma Coulter