空间解构#21，(传送门)2019 - 2020。
室内建筑用合成聚合物涂料
14 × 7 × 8米× 4.4米高
布里斯班博物馆“新女性”展，布里斯班，澳大利亚。
由米兰达·海恩(Miranda Hine)策划
作为“新女性”百年展览的一部分，Coulter被邀请在布里斯班博物馆的圆顶画廊创作一件独特的公共领域作品。
通过“空间解构#21(传送门)”，Emma Coulter借鉴了穹顶画廊建筑空间的固有结构，将房间重新诠释为场地特定绘画的三维支撑，将绘画框架延伸到观众的感知中。
通过一种独特的语言，结合Coulter的实践，限制颜色，比例和相交几何，场地特定的干预穿过连接的内部表面，创造出一幅可以物理进入的绘画。
在她的实践中，Emma将颜色视为一种概念性的想法，通过安排、放置、比例和几何形状来创造刻意的结果。
通过她的作品，Coulter有意识地挑战艺术机构和美术的等级制度，模糊了地点、绘画和观众体验之间的界限。
对于Coulter的作品，策展人米兰达·海恩(Miranda Hine)说:“这幅画并不屈服于房间。我们步入画中。”(Artguide Australia, 2019年9月)。
图片来源:Emma Coulter
spatial deconstruction #21 (portals), 2019 to 2020
synthetic polymer paint on interior architecture
14 x 7 x 8 metres x 4.4m height
Commissioned for 'New Woman' at Museum of Brisbane, Brisbane, Australia.
Curated by Miranda Hine
As part of ‘NEW WOMAN’, a centenary exhibition, celebrating ground breaking female artists of Brisbane origin, Coulter was invited to create a unique site-specific work in the Dome Gallery at Museum of Brisbane.
Through, ‘spatial deconstruction #21 (portals)’, Emma Coulter, draws upon the inherent structure of the architectural space of the dome gallery to reinterpret the room as a three dimensional support for site specific painting, extending the painting frame into the viewers perception.
Articulated through a distinct language, associated with Coulter’s practice, of restricted colour, scale and intersecting geometry, the site specific intervention traverses across the connecting interior surfaces to create a painting that can be physically entered into.
In her practice, Emma sees colour as a conceptual idea that through arrangement, placement, proportion and geometry can be manipulated to create deliberate outcomes.
Through her work Coulter consciously aims to challenge the hierarchy of the art institution and fine art, by blurring boundaries between place, painting and the viewer’s experience.
Of Coulter’s work, curator Miranda Hine says, “The painting doesn’t submit to the room. We step into the painting.” (Artguide Australia, Sept, 2019).
Photo Credits: Emma Coulter
