Twenty-two small pavilions made of red, blue, and green plexiglass are located in three separate monochrome rooms. Together, they trigger retinal experiences of the full spectrum of colors and light. Viewing the work from different angles reveals varying perceptions of color, highlighting that color is always a relative phenomenon.

Venezuelan artist Carlos Cruz-Diez's installation series, *Chromosaturation*, proposes the idea that simple cues can guide entire thoughts, beliefs, and sensitivities. By immersing visitors in entirely monochromatic environments, it awakens an awareness of color and leads viewers to contemplate color as a physical entity generated within space, requiring no form to assist its existence.

The act of 'seeing' shifts inward, as one 'meditates' on oneself while observing the light. This experience differs from the habitual way of perceiving the world, where our retinas are accustomed to receiving multiple colors simultaneously and identifying 'shapes' accordingly. Such monochromatic spaces allow us to drift into reflections about ourselves.

22个由红色、蓝色和绿色有机玻璃制成的小屋位于三个独立的单色室中，它们组合在一起触发视网膜体验全光谱的颜色和光线。从不同的角度观看他的作品会体现出不同的色彩观感，色彩永远是一个相对的现象。

委内瑞拉艺术家Carlos Cruz-Diez 的装置作品《chromosaturation》的系列提出了一个想法，即简单的提示可以引导整个思想、信仰和敏感性。让参观者沉浸在完全单色的环境中，唤醒对色彩的认知，引导观者去思考颜色，色彩是产生在空间中的一种实物，不需要任何形态的帮助。

人们对外界的“观看”转向了自己，在“看”光的同时也在光中“冥想”自己。这种体验与习惯性看待世界的方式有些不同，即我们的视网膜习惯于同时接收多种颜色并相应地识别“形状”。这样单一的颜色空间让我们徜徉在对自我的思考中。