在“Blackout”中，SpY建议在洛格罗诺的国际建筑设计节的中央孔安装一个直径为15mt的黑色球体。

在其建筑起源中，眼孔具有窗户或光线通道的功能。从词源学上讲，这个词来源于拉丁语“ochulos”，字面上翻译为“眼睛”。在新石器时代，它被解释为神对人类行为的持续警惕和关注的象征。

通过这种干预，SpY提出了一种反思，通过历史象征主义的眼孔作为神无所不在的观察的窗口。当数字通过技术窗口在我们的生活中获得充分的存在，通过监视、算法观察和新的预测控制秩序建立自己的时候，它创造了一个平行的时代。一种数字控制的状态，它将我们的存在参数化，并逐渐改变我们人类的关系。

通过这个巨大的黑色球体的安装，SpY试图通过占据整个眼周来阻挡视觉和光线的进入。球体的体积超过了穹顶天花板的两侧，可以从车站和城市的不同角度观察到。

In “Blackout”, SpY proposes the installation of a black sphere with a diameter of 15mt to be located in the central oculus of the Logroño intermodal station for “Concéntrico 07” Logroño’s International Festival of Architecture and Design.

The oculus in their architectural origin had the function of windows or as a passage of light. Etymologically, the word derives from the Latin expression “ochulos” which literally translates as “eye”. In the Neolithic period it was interpreted as a symbol of the gods’ constant vigilance and attention to the actions of human beings.

With this intervention, SpY proposes a reflection through the historical symbolism of the oculus as a window of the gods’ omnipresent observation. It creates a parallel at a time when the digital has gained full presence in our lives through technological windows, establishing itself by way of surveillance, algorithmic observation and a new predictive cybernetic order. A state of digital control that parameterizes our existence and which is gradually changing how we humans relate.

With the installation of this large black sphere, SpY seeks to block the vision and entry of light by occupying the entire oculus perimeter. The volume of the sphere surpasses both sides of the domed ceiling, being observable from different viewpoints of the station and the city.