《OUR FUTURE SELVES》（我们未来的自己）是一件以黄铜、钢板、定制电子装置、ToF传感器和LED灯为材料的艺术作品。
作品尺寸为90 x 549 x 300厘米。
《OUR FUTURE SELVES》（我们未来的自己）通过点光的三维分布展示了观众的全身倒影。虽然照明图像在分辨率上大幅降低，但仍保留了引发本能识别的重要细节。作为这个系列作品最新、最大的一部分，《我们未来的自己》被嵌入到自己的空间环境中。这个装置形成了一个通道，邀请旁观者进入其中，在走过走廊的尽头之前遇见他们自己的倒影。这种与自我形象的相遇既熟悉又虚幻；被照亮的人物身份仍然无法知晓和模糊不清。观众被邀请探索这个领域，以及它如何与他们自己的身体存在和动作模式相关联。《我们未来的自己》既可以是强烈的，又可能是瞬息即逝的，它能够与自我形象产生独特的关系；它既不是镜子中的实时反映，也不是定格在过去时间的静态照片，而是占据一个不确定的位置，介于两者之间。
该作品在2019年作为《物理算法》个展的一部分在韩国首尔的Paradise City艺术空间展出。
OUR FUTURE SELVES, 2019
Brass, steel sheets, custom electronics, ToF sensors, LEDs
90 x 549 x 300 cm
Our Future Selves presents viewers with their full-length reflection, three-dimensionally distributed as points of light. While the illuminated image is heavily reduced in resolution, it retains the crucial details that engender instinctual recognition. The latest and largest iteration in this series of works, Our Future Selves is embedded within its own spatial environment. The installation forms a passageway which onlookers are invited to enter, meeting their own reflection at the end of the corridor before walking on past it. This encounter with the self-image is familiar yet ethereal; the identity of the illuminated figure remains unknowable and ambiguous. Viewers are invited to explore this realm, and how it can relate to their own physical presence and patterns of movement. Capable of being both intense and fleeting, Our Future Selves can generate a unique relationship with the self-image; it is neither the live reflection of a mirror nor the static image of a photograph fixed in past time, but rather occupying an uncertain place somewhere in between.
Exhibited as part of the solo show Physical Algorithm at Paradise City Art Space, Seoul, South Korea, 2019
