克里斯蒂安·莫勒（1959 年 12 月 2 日出生）是一位雕塑和装置艺术家，也是加州大学洛杉矶分校设计媒体艺术系的教授兼系主任。他出生于德国法兰克福，在那里生活和工作，直到 2001 年移居美国。他的互动作品曾在国际上的博物馆、画廊和艺术节展出。他近期的许多作品都可以在公共空间中以城市规模的物件和装置形式看到。
克里斯蒂安·莫勒（Christian Moeller）的《手》——加利福尼亚州米内塔圣何塞国际机场。
斯蒂克斯在田纳西州纳什维尔。
早年生活与教育
莫勒在密苏里州的法兰克福长大，在一家建筑公司接受了他最初的专业教育，在那里他接受了结构工程制图员的培训。19 岁时，他抓住了一个在西非工作的机会，在加蓬中部奥果韦河畔的一个小村庄布韦为一个铁路建设项目绘制地形和地质图。
1981 年回到德国后，莫勒在法兰克福应用科学学院学习建筑学，并在维也纳美术学院师从古斯塔夫·佩希尔。在斯图加特的冈瑟·贝尼施建筑事务所工作期间，他开始转向艺术领域，于 1990 年在法兰克福的施泰德尔学院加入彼得·韦贝尔领导的新媒体研究所。
工作
莫勒最初因运用电子媒体技术创作出新颖且强烈的实体事件而广受认可。他的媒体装置作品从手持物件到建筑规模的装置都有涉猎。在 20 世纪 90 年代，他的许多作品都对建筑、声音、技术和动态影像之间的协同作用进行了探究和探索。作为这一领域的先驱，他与建筑师鲁迪格·克拉姆合作于 1992 年创作了媒体幕墙“动态光雕塑”，还与当时威廉·福赛斯芭蕾舞团法兰克福芭蕾舞团的首席舞者斯蒂芬·加洛韦合作创作了互动舞蹈作品“电子剪辑”。
莫勒曾在德国卡尔斯鲁厄州立设计学院担任教授，直到 2001 年移居美国。目前，他是加州大学洛杉矶分校设计媒体艺术系的教授，并在加利福尼亚州洛杉矶市的伊莱西亚山谷（青蛙镇）社区经营自己的工作室。在过去的二十年里，莫勒的工作越来越专注于公共艺术领域，他通常使用金属或复合材料进行创作。他的许多作品已成为标志性地标，例如田纳西州纳什维尔的“棍子”和加利福尼亚州圣何塞的“手”。
精选作品
《动态光雕塑》，法兰克福，1992 年
《电夹》，法兰克福塔姆剧院（TAT），1994 年
《音频丛林》，东京螺旋艺术中心，1997 年
《虚拟笼子》，日本东京东光寺 P3 礼堂，1997 年
《人民之声》，法兰克福席恩美术馆，1998 年
《奶酪》，加利福尼亚州帕萨迪纳，2003 年
《请勿触摸》，英国伦敦，2004 年
《爱管闲事》，日本东京，2007 年
《魔力》，加利福尼亚州圣佩德罗，2007 年
《雏菊》，新加坡，2008 年
《手》，加利福尼亚州圣何塞，2010 年
《棍子》，田纳西州纳什维尔，2015 年[2]
《三重奏》，艾伯塔省卡尔加里，2018 年
《循环》，北卡罗来纳州夏洛特，2019 年
Christian Moeller (born December 2， 1959) is a sculpture and installation artist, professor and Chair of the Department of Design Media Arts at University of California, Los Angeles UCLA[1] He was born in Frankfurt am Main, Germany where he lived and worked until moving to the United States in 2001. His interactive work has been shown at museums, galleries and art festivals internationally. Many more recent works can be seen as urban scale objects and installations in public spaces.
Hands, by Christian Moeller - Mineta San José International Airport, California.
Stix in Nashville, Tennessee.
Early life and education
Growing up in Frankfurt, Moeller received his first professional education in a construction company where he trained as a draftsman in structural engineering. At age nineteen, he took a job opportunity in West Africa working for a railway construction project producing topographic and geological maps in Booué, a small village on the banks of the Ogooué river in central Gabon.
Following his return to Germany in 1981, Moeller studied architecture at the College of Applied Sciences in Frankfurt and under Gustav Peichl at the Academy of Fine Arts in Vienna. While working at the architecture firm Günther Behnisch in Stuttgart, he began his transition into the arts, joining the Institute for New Media in the Städelschule, Frankfurt under Peter Weibel in 1990.
Work
Moeller first gained widespread recognition working with electronic media technologies to produce innovative and intense physical events. His media installations ranged from handheld objects to architectural scale installations. Many of his works throughout the 1990s interrogated and explored the synergies between architecture, sound, technology, and moving images. A pioneer in this field, he created novel works like the media facade “Kinetic Light Sculpture” in 1992 in collaboration with the architect Rüdiger Kramm and the interactive dance piece “Electro Clips” with Stephen Galloway, the principal dancer at William Forsythe’s Ballet Frankfurt at the time.
Moeller taught as a professor at the State College of Design in Karlsruhe, Germany until moving to the United States in 2001. Currently, he is professor in the UCLA department of Design Media Arts and operates his studio in the Elysian Valley (Frogtown) neighborhood of Los Angeles, California. Over the past two decades, Moeller’s work has been increasingly focused on the field of public art where he usually works with metal or composites. Many of his works have become iconic landmarks such as “Stix” in Nashville, Tennessee and “Hands” in San Jose, California.

Selected works
Kinetic Light Sculpture, Frankfurt, 1992
Electro Clips, at the Theater am Turm (TAT), Frankfurt, 1994
Audio Grove, Spiral Art Center, Tokyo, 1997
Virtual Cage, Tochoji Auditorium P3, Tokyo, Japan, 1997
The Voice of the People, at Schirn Kunsthalle, Frankfurt, 1998
Cheese, Pasadena, California, 2003
Do Not Touch, London, United Kingdom, 2004
Nosy, Tokyo, Japan, 2007
Mojo, San Pedro, California 2007
Daisy, Singapore, 2008
Hands, San Jose, California, 2010
Stix, Nashville, Tennessee, 2015[2]
Trio, Calgary, Alberta, 2018
Loops, Charlotte, North Carolina, 2019