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公共艺术装置《Krosslid》
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Rune Guneriussen
2024-01-02

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Rune Guneriussen, 1977年出生,挪威人。毕业于英国萨里艺术与设计学院。在挪威东部生活和工作。是一位在装置和摄影之间过渡的艺术家。作为一名概念艺术家,他的作品主要是在自然环境中进行的。这项关于物体的工作始于2005年,并在挪威各地拍摄。
与其说是摄影,不如说是雕塑和装置。一个人在大型装置上的长时间工作是一个触发艺术基因的过程。这个过程涉及到物品、故事、空间,最重要的是制作时间。它是一种平衡自然与人类文化,以及我们自身存在的所有次级层面的方法。作品完全是在现场完成的,照片代表了装置本身的现实。
作为一名艺术家,他坚信艺术本身应该是质疑和困惑的,而不是高高在上和限制。与当前的时尚相反,他并不想规定一种理解他的艺术的方式,而是指出一条理解故事的道路。
Rune Guneriussen, born 1977, in Norway. Education from Surrey Institute of Art & Design in England. Live and work in eastern Norway. Is an artist working in the transition between installation and photography. As a conceptual artist he works site specific, primarily in nature.The work on objects started in 2005, and has been photographed on locations all over Norway.
It is not as much photography as it is about sculpture and installation. The long oneman work on an largescale installation is a process triggering the artistic genom. This process involves the object, story, space and most important the time it is made within. It is an approach to the balance between nature and human culture, and all the sublevels of our own excistence. The work is made solely on site, and the photographs represents the reality of the installation itself.
As an artist he believes strongly that art itself should be questioning and bewildering as opposed to patronising and restricting. As opposed to the current fashion he does not want to dictate a way to the understanding of his art, but rather indicate a path to understanding a story.
与其说是摄影,不如说是雕塑和装置。一个人在大型装置上的长时间工作是一个触发艺术基因的过程。这个过程涉及到物品、故事、空间,最重要的是制作时间。它是一种平衡自然与人类文化,以及我们自身存在的所有次级层面的方法。作品完全是在现场完成的,照片代表了装置本身的现实。
作为一名艺术家,他坚信艺术本身应该是质疑和困惑的,而不是高高在上和限制。与当前的时尚相反,他并不想规定一种理解他的艺术的方式,而是指出一条理解故事的道路。
Rune Guneriussen, born 1977, in Norway. Education from Surrey Institute of Art & Design in England. Live and work in eastern Norway. Is an artist working in the transition between installation and photography. As a conceptual artist he works site specific, primarily in nature.The work on objects started in 2005, and has been photographed on locations all over Norway.
It is not as much photography as it is about sculpture and installation. The long oneman work on an largescale installation is a process triggering the artistic genom. This process involves the object, story, space and most important the time it is made within. It is an approach to the balance between nature and human culture, and all the sublevels of our own excistence. The work is made solely on site, and the photographs represents the reality of the installation itself.
As an artist he believes strongly that art itself should be questioning and bewildering as opposed to patronising and restricting. As opposed to the current fashion he does not want to dictate a way to the understanding of his art, but rather indicate a path to understanding a story.
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