地图学的道歉

地图学的道歉是一种将新旧技术结合的幻想动态制图。受澳大利亚地形的启发，它运用以地形数据为基础的明亮色彩，玩味着逐帧动画和移动的画框，同时尝试将其在3D全息环境中进行呈现。

它是对景观的研究，同时也是一种从非本地人的视角重新想象的地图绘制，揭示了这个概念所带来的政治困难。它还是一个过程的记录 - 因为它是逐帧动画，所以你正在观看艺术家手绘地形线条的数百个小时。

在这个艺术作品中，你听到的声音是由参观者在教堂内行走的声音、关于行走大地的耳语以及记录在澳大利亚乡间的脚步声混合而成。

《地图学的道歉》于2016年在墨尔本白夜活动中首次亮相，当时有超过11,000人挤进了美丽的斯科特教堂大教堂，观看了这个令人不安的全息音频/视觉投影展示。它以由动画地形线条组成的更大的维多利亚地区作为艺术品展示，之后在昆士兰科技大学艺术博物馆以不同的布局展出。《悉尼先驱晨报》和《时代报》称其为白夜节的“珍宝”之一。

CARTOLOGY APOLOGY

Cartology Apology is a fantasy cartography-in-motion where old and new technologies combine. Inspired by the topographical nature of Australia, it plays with moving frame-by-frame animation and bright colours drawn from topographical data, and experiments with how this might be represented in a 3D holographic environment.

This is a study of landscape, but also a re-imagined mapping, told from the point of view of a non-local, with all the political difficulties that concept brings to light. It is also a documentation of process – since it is frame-by-frame animation, you are watching hundreds of hours of the artist hand-drawing topographic lines.

The audio that you hear in this artwork is a mixture of sounds generated by the walking movement of visitors through the church, whisperings about walking the land, and footsteps recorded across the Australian country-side.

Cartology Apology was debuted at White Night Melbourne 2016 where over 11,000 people were packed inside the beautiful Scot’s Church cathedral to view this disconcerting holographic audio/visual projection display of video art made of animated topographic lines of the greater Victorian area. It was then shown in a different layout at QUT Art Museum. The Sydney Morning Herald and The Age called it one of the ‘gems’ of White Night Festival.