概要：

《Portée》是一件在空间中展开的音乐谱的艺术作品。通过诗意的漫游，教堂的参观者被邀请去探索音乐的空间和互动特性。当他们触摸并触发拉紧在教堂内部的发光线振动时，与每根线相关联的音符会在一架电动钢琴上演奏出来。旋律是由参观者触发的，但它们的内在配置不受他们的控制。

《Portée》是一个巨大的公共艺术装置。16根独立的电致发光线被展开在纳慕尔的哈斯坎普教堂内，形成了一个巨大的不对称的光线编织。这件作品的比例为多个视角的汇聚提供了空间，产生了不同的几何结果：动态、上升和独特。每个几何结果都提供了不同范围的互动，同时影响着空间的私密体验和整体状态。

参考希腊作曲家、建筑师和工程师Iannis Xenakis的作品，这些巨大的线条唤起了数学、建筑和音乐之间的持续对话。由法国音乐家Chapelier Fou创作的旋律随着时间的推移发展演变。它们模糊了手工和程序化音乐谱创作之间的界限，迫使参观者质疑他所听到的音乐的起源以及他对音乐的控制能力。

SYNOPSISPortée/ is an unfold of a music score in space.

Through a poetic wandering visitors of the church are invited to explore the spacial & interactive qualities of music.

When they touch and trigger vibrations of luminous threads tensed inside the church, the notes associated to each thread are played on an electro-mecanic grand piano.

The melodies are triggered by the visitor but their intrinsic configuration remains out of his control.

Portée/ is a monumental site-specific installation.

16 independent electroluminescent wires are deployed inside the Harscamp Church in Namur, in a monumental asymmetric weave of light.

The proportions of the piece gives way to the gathering of multiple point of views that generate different geometrical outcomes: dynamic, ascending and singular.

Each of them offer different ranges of interaction, conditioning simultaneously the intimate experience and global state of the space.

Referencing the work of Iannis Xenakis, greek composer architect and engineer, the monumental lines evoke a continuous dialogue between mathematics, architecture and music.

The melodies created by French musician Chapelier Fou evolve over time.

They blur the frontier between manual and procedural music-score creation and force the visitor to question the origin of the music he’s hearing and his control over it.