《光之屏障》第三版
2016
光州亚洲文化中心
凹面镜、投影、雾霾、扫描
14000毫米x 8000毫米x 6000毫米
这些装置呈现了一种半物质的存在模式，将物体从光中物化。光屏障第三版是这个系列的一个新版本，它利用了物质与非物质、现实与幻觉、存在与缺席之间边界的困惑和不一致性。
这部6分钟的影片以圆圈为主题，讲述了出生、死亡和重生的故事，帮助观众进入新的生存模式。艺术家们经常在他们的作品中使用圆圈来唤起材料的基本原理和生与死之间的外部联系。
艺术家们感兴趣的是印象派画家是如何从摄影的引入中获得灵感，以创造“没有观众的图像”。该装置允许图像从画布上升起，创造出透视之外的绘画。这是对艺术家“在空中绘画”主题的直接接近。
在这个版本中，8个建筑视频投影机被分割成630个子投影机，使用人工自然设计的凹面镜结构。每一面镜子和它的背面结构都是通过计算生成的，形成一组相互协作形成空中的单一图像。通过精确校准16,000,000像素中的每一个，光束可以被合并到雾霾中，从而吸引空气。42个声道的音频然后被用来建立一个声场，帮助巩固投射的现象在观众的脑海中。
第三版《光之屏障》是由光州亚洲文化中心委托制作的。该技术由Rulr支持，这是一个由Kimchi and Chips创建的用于校准空间设备的开源图形工具包。
安装致谢
委托人：光州亚洲文化中心
工程由郑英宰、Sungshin工作室制作
声音设计：裴仲勋
摄像：Kimchi and Chips
相关链接
优异奖
2017年Ars Electronica大奖赛
CyberArts 2017 [pdf]
2017年Ars Electronica大奖赛
《光的屏障》第三版-用光在空气中画卷
创意应用/ 2017年5月
《光之屏障》/艺术家Kimchi and Chips
Booooooom / 2017年5月
LIGHT BARRIER THIRD EDITION
2016
Asian Cultural Centre, Gwangju KR
Concave mirrors, projection, haze, scanning
14,000mm x 8,000mm x 6,000mm
The installations present a semi-material mode of existence, materialising objects from light. Light Barrier Third Edition is a new installment in this series that exploits the confusion and non-conformities at the boundary between materials and non-materials, reality and illusion, and existence and absence.
The 6-minute sequence employs the motif of the circle to travel through themes of birth, death, and rebirth, helping shift the audience into the new mode of existence. The artists use the circle often in their works to evoke the fundamentals of materials and the external connection between life and death.
The artists are interested in how impressionist painters were inspired by the introduction of photography to create 'viewer-less images'. The installation allows images to arise from the canvas, creating painting outside of perspective. It is a direct approach to the artists’ theme of ‘drawing in the air’.
In this edition, 8 architectural video projectors are split into 630 sub-projectors using a structure of concave mirrors designed by artificial nature. Each mirror and its backing structure are computationally generated to create a group that collaborates to form the single image in the air. By accurately calibrating each of the 16,000,000 pixels individually, light beams can be merged in the haze to draw in the air. 42 channels of audio are then used to build a sound field that helps to solidify the projected phenomena in the audience's mind.
The third edition of Light Barrier was commissioned by the Asia Culture Center in Gwangju. The technology is enabled by Rulr, an open source graphical toolkit for calibrating spatial devices, created by Kimchi and Chips.
Installing
Acknowledgements
Commissioned by
Asian Cultural Centre, Gwangju
Engineering by
Chung Youngjae
Studio Sungshin
Sound design by
Junghoon Pi
Videography by
Kimchi and Chips
Related links
Award of Distinction
Prix Ars Electronica 2017
CyberArts 2017 [pdf]
Prix Ars Electronica 2017
The Light Barrier, Third Edition – Drawing volumes in the air with light
Creative Applications / May 2017
“Light Barrier” by Artists Kimchi and Chips
Booooooom / May 2017
