Arne Quinze在西班牙马贝拉的普尔托·班努斯（Puerto Banús）安装了六座雕塑。这个临时展览是与瓦伦西亚的艺术与科学城（Ciudad de las Artes y las Ciencias）合作实现的，可以在2022年1月16日之前欣赏到。
观察和研究自然，就像洪堡时代的自然主义者一样，并理解其运作方式，其中一切都在完美的统一、平衡和和谐中相互联系，这就是Arne Quinze的灵感所在，并通过他的艺术展示出来。通过他的作品与自然联系，这些作品同时具有力量和脆弱性，由铝等材料制成，其刚度他运用得非常娴熟，最终实现了代表自然纯粹状态的轻盈而精致的作品。
Quinze将金属的形状纠缠在一起，金属是一种可以弯曲、焊接、穿孔、标记和变形的材料，将硬度变为可塑性，并获得叶子和花瓣的性质和形状。他在竖直推力与水平和曲线推力之间取得了平衡，建立了一种形式上的和谐，通过这种方式，他实现了高度集中的构图，形式上非常丰富，最终代表了独特性和体积。
这些表面作为画布，Arne Quinze用自己的手绘制，通过形式和他所拥有的丰富色彩的运用使其充满生机。因此，一件作品诞生了，其信息是关于保护和保存我们的自然空间，宣扬艺术作为一种唤起我们所有人意识的手段，我们与我们依赖的自然日益脱节。用他的话说，“我们需要思考并激发出保存我们所拥有的感觉”。
同样，通过他的艺术，他希望将城市变成露天博物馆，将公共空间作为一个舞台，展示这种保护信息，并将艺术带给大众，超越了博物馆这样的封闭空间。
因此，Quinze展示了自然的多样性与常常充斥我们的灰色城市之间的对比。通过他的作品，艺术家呼吁观众保护，或至少欣赏，自然所提供的一切。未来最成功的城市将是那些完美地将文化与自然交织在一起的城市。通过在城市中放置他的艺术作品，Arne Quinze正在发起一场关于这种生命平衡的对话。
他始终关注着自然及其各种状态和领域。从石头的惰性到最简单的花朵，一切都是灵感，是可以超越感官感知的形状和颜色……邀请我们思考，以实现一个必须恢复和回归其根源的世界的转变。正如他所说，“我们每个人都有一个秘密花园”在我们内心深处。
因此，他的作品诞生了，从他与自然的邂逅中诞生了《我的秘密花园》（My Secret Garden），形式包含了空虚和时间，与之连接的构图，赋予了我们与之联系的能量和精神，雕塑成为整体的一部分，通过形式的力量传达信息，进入建筑物中作为“活体”而存在的和谐。 - 米里亚姆·阿廷萨（Miriam Atienza），《My Secret Garden Puerto Banús》（我的秘密花园普尔托·班努斯）开幕词。
Puerto Banús, Marbella, Spain
My Secret Garden Puerto Banús
Arne Quinze installed six sculptures in Puerto Banus, a private port in Marbella.This temporary exhibition was realised in cooperation with Ciudad de las Artes y las Ciencias (Valencia) and can be admired until 16 January 2022.
Observing and studying nature, like the naturalists of the Humboldt era and understanding its workings in which everything is connected in perfect unity, balance and harmony, is what Arne Quinze inspires and shows with his art. Recovering that vision, connecting with nature through his works, which contain power and fragility at the same time, made of materials such as aluminum whose rigidity he molds with great mastery, the artist ends up achieving light and delicate works that represent nature in its state pure.
Quinze intertwines shapes with metal, a material that bends and welds, pierces, marks and deforms, turning a hard component into ductile and acquiring the properties and shapes of leaves and petals. He is a master at balancing vertical thrusts with horizontal and curvilinear ones, establishing a formal harmony, with which he achieves concentrated compositions, with a great wealth of forms that ends up representing uniqueness and volume.
These surfaces act as canvases on which Arne Quinze paints with his own hands, impregnating them with life, through the forms and the great use of color that he has. Thus was born a work, whose message is of conservation and preservation of our natural spaces, claiming art as a means to raise awareness in all of us, that we live increasingly disconnected from the nature on which we depend. In his words "We need to think and to bring out the feeling of conserving what we have"
In the same way, with his art he wants to turn cities into open-air museums, public spaces as a stage where to expose this message of conservation and bring art closer to the general public beyond the closed spaces that are museums.
Thus, Quinze exposes the contrast between the diversity of nature and the monotony that invades our often gray cities. Through his works, the artist appeals to the viewer to protect, or at least appreciate, what nature has to offer. The most successful cities of the future will be those that perfectly intertwine culture and nature. By placing his works of art in cities, Arne Quinze is initiating a dialogue about this vital balance.
He always looks at nature and all its states and areas. From the inertness of stones to the simplest of flowers, everything is inspiration, shapes and colors that can be perceived beyond the senses ... inviting reflection in order to achieve the transformation of a world that must recover and return to its origins . As he says "We all have a secret garden" within us.
And so his work was born, from his encounters with nature My Secret Garden arises, where forms contain emptiness and time, compositions that connect us with it, which endows with energy and spirit, sculptures that are part of a whole , with messages through the force of the form, entering into harmony as a "living body" in the architectures. - Miriam Atienza, opening speech My Secret Garden Puerto Banus.
