由波士顿市委托HUBweek和ILLUMINUS-Nuit Blanche制作的一个参与式装置，《PROJECTIVE DUALISM 2.0》旨在探索受监控城市中隐私、匿名和责任的困难。任何公众成员都可以进入“吊舱”，并通过内部麦克风与整个城市对话:表达他们的意见、希望、抱怨或世俗的仪式。然而，他或她的声音将是随机的，保持匿名，但允许自我反思。该项目还质疑社会参与是如何超越物理领域的。
概念:
在我们的实体城市和数字城市中，隐形往往允许我们感知匿名，根据我们希望突出或隐藏的行为来创造舒适或不舒服。然而，由于我们的大都市和网络信息大都市的监控越来越多，隐形只是一个过时的概念，我们继续坚持在我们互动的空间。
《PROJECTIVE DUALISM 2.0》的灵感来自于笛卡尔对二元论的阐释，以及心灵哲学中的“二元论”理论。在心灵哲学中，二元论认为精神现象在某些方面是非物质的，或者精神和身体不是完全相同的。围绕单向模块化镜子的反射性基调以及色彩和光线的感官投射，装置是对未受伤害和未经审查的肉体的质疑，这种肉体体现了社会围绕隐私、匿名和责任培养的矛盾心理结构。
处理建筑对象的客观化，以及在数字和物理城市论坛中更加相互关联的物联网(IoT)系统中的公民身份和身份分类，这个装置是对理解公共/私人社会中被动/主动性质的对立内部斗争的计算生态学提出质疑。
目的是激发创造性思维和身体与心灵之间的互动协作，质疑数字计算时代的日常机器是否增加了孕育创新和提供物联网解决方案的数字生态。技术是否会质疑物联网是否会通过提高/降低业务流程效率来积极/消极地影响我们?机器人和技术是否会破坏/提高自主生活质量?随着我们进入建筑的数字时代，是通过认知计算与商业智能相结合获得更好的见解，还是技术在我们内部和我们之间筑巢，改变我们如何看待自己的景观。
参考:[1]二元论-心灵哲学。《斯坦福哲学百科全书》2003。网络。
摘自:斯坦福哲学百科全书
Illuminus馆长的声明:
任何人弗里德里希
“离开停车场，沿着楼梯走到街上，游客会遇到一群人，他们正在观察一个发光的独立五边形房间。在霍英霆(Wendy W. Fok)的“投影二重性2.0”(Projective Dualism 2.0)里，他们看着其他游客瞥见自己的倒影在五面单向镜像墙的水晶纹理中倍增。一旦进入这个有限的空间，观察者就变成了对象。被自己亲密的倒影所吸引，她很可能倾向于另一种反思:自拍，将她的形象投射到一个更大的虚拟空间中，与数百万观众共享，因为这个10英尺× 10英尺的小空间扩展到无限。霍文迪探讨了我们在远远超出我们视线和控制的数字空间中分享和消费时，我们自己图像的治理和属性问题。”
新闻:
四个字母的单词
波士顿环球报
《波士顿杂志》-光明
波士顿杂志- ILLUMINUS
建筑师报- ACADIA 2015展览
The Architects Newspaper - Instagram
客户illuminus / ACADIA 2015
位置波士顿麻萨诸塞州/辛辛那提哦
2015年
完整的状态
A participatory installation, commissioned by the City of Boston for HUBweek and ILLUMINUS -Nuit Blanche, Projective Dualism 2.0 seeks to explore the difficulty of privacy, anonymity, responsibility in cities that are subject to surveillance. Any member of the public can enter a “pod” and speak to the city at large: to express their opinions, hopes, complaints, or mundane observances via internal microphones. Yet his or her audio will be randomized, preserving anonymity but allowing for self-reflection. The project is also to question how social engagement is beyond the physical sphere.
CONCEPT:
Invisibility in both our physical and digital cities often allows for perceived anonymity, creating comfort or discomfort depending on the behavior we hope to highlight or hide. Though, due to ever increasing surveillance in our metropolises and online information megacities, invisibility is merely an obsolete concept we continue to cling to in the spaces where we interact.
Projective Dualism 2.0 is inspired by René Descartes’s illustration of dualism, and the theory of ‘dualism’ within the philosophy of mind. In philosophy of mind, dualism is the position that mental phenomena are, in some respects, non-physical, or that the mind and body are not identical [1]. Operating around the reflexive undertone of one-way modular mirrors and sensorial projections of color and light, the installation is to question the unjuried and uncensored physicality that manifests the paradoxical psychological construct of society has cultivated surrounding privacy, anonymity, and oftentimes, responsibility.
Dealing with the objectification of the architectural object, and the classification of citizenship and identity in the every more interconnected Internet of Things (IoT) system within the digital and physical urban forum, this installation is to question the computational ecology of understanding the opposing internal struggles of the passive / active natures of being within public / private society.
The objective is to inspire creative thinking and collaboration among interaction between the body and the mind, to question whether the daily machines in the digital age of computation has increased the digital ecology which breeds innovation and delivers IoT solutions. Does technology question whether IoT will positively / negatively impact us by making business processes more / less efficient, and would robotics and technologies be destroying / improving the autonomous quality of life. As we proceed into the digital age of architecture, are better insights gained through cognitive computation coupled with business intelligence, or, is technology nestling itself within us and between us changing the landscape of how we look upon ourselves.
Reference: [1] Dualism – Philosophy of Mind. Stanford Encyclopedia of Philosophy. 2003. Web.
Retrieved from: Stanford Encyclopedia of Philosophy
ILLUMINUS CURATOR’S STATEMENT:
JUTTA FRIEDRICHS
“Leaving the parking deck down the stairs and onto the street the visitor encounters a crowd of people observing a glowing freestanding pentagonal room. Inside Wendy W. Fok’s Projective Dualism 2.0 they are watching other visitors glimpse reflections of themselves multiplied in the crystal texture of five one-way mirrored walls. Upon entering this confined space, the observer becomes the object. Captivated by the intimate reflections of herself, she may well be inclined towards another kind of reflection: the selfie, projecting her image into a larger virtual space shared with an audience of millions, as the small 10’ x 10’ space expands into infinity. Wendy W. Fok explores questions of governance and property of our own images, as we share and consume in digital space that reaches far beyond our sight and control.”
PRESS:
Four Letter Word
Boston Globe
Boston Magazine – Nuit Blanche
Boston Magazine – ILLUMINUS
The Architects Newspaper – ACADIA 2015 Exhibit
The Architects Newspaper – Instagram
Client ILLUMINUS / ACADIA 2015
Location Boston MA / Cincinnati OH
Year 2015
Status Complete
