纽约艺术家Aakash Nihalani于1986年出生在美国皇后区，祖籍为印度。其作品不仅在国际上展示，还在包括《纽约时报》、《印度时报》、《时尚印度》、《艺术咨询网》、《赫芬顿邮报》等出版物上。

Aakash Nihalani的创作重点是使用胶带，探索装置和城市干预的边界，擅长利用色彩的缤纷与方格的立体特性，在街头进行涂鸦贴纸创作。他在创作之初，就非常依赖胶带，并把它们附着在不同的表面，创造不同种类的视错觉排列。
他还利用彩色的、持久的荧光，黏合的胶带去创建一个简单几何形状，模拟三维立体的方式，让周围毗邻的结构也形成视觉上的假象🌬，所呈现的视觉效果都会出人意料，让人惊喜。在Aakash的装置中，人能根据三维的深度和角度来与几何接触，形成互动。
利用几何图形造成不同的错觉，虽然对于绘画的要求并不太高，但却包含十分巧妙的创意，简单的线条构成了许多奇怪的想法。

Aakash Nihalani表示，对他影响最大的是城市里的建筑，它们构成了一个灰色的、粗犷的混凝土世界，所以他想用明亮的颜色给建筑加上颜色，让它们变得与众不同。而且他小时候对魔术和幻象的着迷，也深深地影响了他现在的创作方式，他常将虚与实的空间结合，创造出一种新的城市景观，例如《院子》、《加法》、《拿出》、《大门》、《平台》等一系列城市装置。

New York artist Aakash Nihalani was born in Queens in 1986 and is of Indian origin. His work has been shown not only internationally， but also in publications including The New York Times， Times of India, Fashion India, Art Advisory Network, Huffington Post, etc.

Aakash Nihalanis work focuses on the use of tape, exploring the boundaries of installations and urban interventions, and specializes in the use of color and the three-dimensional nature of squares to create graffiti stickers on the street. From the beginning, he relied heavily on tape and attached it to different surfaces to create different kinds of optical illusion arrangements.
He also uses colorful, persistent fluorescence, adhesive tape to create a simple geometric shape, simulate a three-dimensional way, so that the surrounding structures also form a visual illusion 🌬, the visual effect will be unexpected and surprising. In Aakashs installation, people can interact with geometry based on three-dimensional depth and angles.
The use of geometric figures to create different illusions, although the requirements for painting are not too high, but it contains very clever creativity, simple lines constitute many strange ideas.

Aakash Nihalani says he was most influenced by the buildings in the city, which make up a grey, rugged concrete world, so he wanted to color the buildings with bright colors to make them different. Moreover, his fascination with magic and illusion as a child has also deeply influenced his current way of creation, and he often combines virtual and real space to create a new urban landscape, such as a series of urban installations such as “Yard“, "Addition", "Taking out", "Gate" and "Platform".