Joanie Lemercier(生于1982年)是一位法国视觉艺术家和环境活动家，他的作品通过对空间光线的操纵来探索人类的感知。Lemercier主要通过光投射和计算机编程来改变日常物品和形式的外观，将现实弯曲到他的想象中。他的作品超越了平面，通过光影在木材、玻璃、纸张、陶瓷、纺织品和水等材料上的相互作用来扩展维度。Lemercier在5岁时第一次接触到在电脑上创作艺术的过程，当时他参加了母亲教的织物图案设计课程。这种早期教育奠定了他对物理结构的兴趣:几何、图案和极简主义形式。随着Lemercier工作的发展，他开始通过物理学和哲学来探索这些元素，即光如何被用来改变感知的现实。

Lemercier的许多实践都受到自然的启发，并通过数学、科学和技术反映了自然世界的表现。抽象的环境呈现为精致的网格、线条、阴影和体量，让位于由同样的极简主义形式组合而成的雄伟景观。近年来，Lemercier越来越关注气候变化和环境退化问题，他将自己的投影技巧和艺术技巧用于活动家事业和组织，如灭绝叛乱，精心跟踪和发布他的工作室的碳足迹，并支持#CleanNFT等倡议，以鼓励其他数字艺术家减少自己对环境的影响。他的最新视频装置作品《Hambach森林和技术崇高》于2021年在Fundación Telefónica上首次亮相，当时是这位艺术家的首次大型个展，该作品关注了煤炭开采对欧洲最古老森林之一的破坏性影响。

Lemercier从2006年开始与投影灯合作，并于2008年与艺术家Yannick Jacquet， Romain Tardy和Olivier Ratsi共同创立了备受赞誉的视觉品牌antivj。自2010年以来，他一直是纽约一家画廊的代理。他专注于装置和画廊作品，曾在北京的中国数字艺术博物馆、迈阿密巴塞尔艺术展、圣丹斯电影节、马德里的Espacio Fundación Telefónica等全球机构展出，并与多位声音艺术家合作:Murcof、Flying Lotus和JayZ。自2013年在布鲁塞尔成立创意工作室以来，Lemercier一直在开发更多雄心勃勃的装置，画廊作品和研究实验，以扩大空间投射光的创意可能性。近年来，他试图将投影表面完全非物质化，使用透明材料和水雾。

自2015年以来，该工作室现在位于比利时布鲁塞尔，由朱丽叶·比巴斯(Juliette Bibasse)经营。

Joanie Lemercier (b. 1982) is a French visual artist and environmental activist whose work explores human perception through the manipulation of light in space. Working primarily with light projection and computer programming, Lemercier transforms the appearance of everyday objects and forms, bending reality to his imagination. His work transcends the flat surface, extending dimensionality through the interplay of light and shadow on materials such as wood, glass, paper, ceramics, textiles and water. Lemercier was first introduced to the process of creating art on a computer at agefive by attending classes on pattern design for fabrics that were taught by his mother. This early education grounded his interest in physical structures: geometry, patterns, and minimalistforms. As Lemercier’s work evolved, he began to explore these elements throughthe physics and philosophy of how light can be used to alter perceived reality.

Much of Lemercier’s practice is inspired by nature and reflects onthe representation of the natural world through mathematics, science, and technology. Abstract environments rendered as refined grids, lines, shadows, and volumes give way to majestic landscapes assembled from these same minimalist forms. In recent years,Lemercier has become increasingly concerned with climate change and environmental degradation, lending his projection skills and artistry to activist causes and groups such as Extinction Rebellion, meticulously tracking and publishing his studio’s carbon footprint, and supporting initiatives like #CleanNFT to encourage other digital artists to reduce their own environmental impact. His latest video installation, The Hambach forest and the Technological Sublime, premiered at Fundación Telefónica in 2021 on the occasion of the artist’s first major solo show, looks at the devastating effects of coal mining on one of Europe’s oldest forests.

Lemercier has been working with projected light since 2006 and co-founded the acclaimed visual label AntiVJwith artists Yannick Jacquet, Romain Tardy and Olivier Ratsi in 2008. He has been represented by a New York based gallery since 2010. Focusing his practice on installations and gallery work, he has been exhibited around the globe in institutions such as the China Museum of Digital Art in Beijing, Art Basel Miami, Sundance Film Festival, Espacio Fundación Telefónica in Madrid and collaborated with several sound artists: Murcof, Flying Lotus and JayZ. Since founding his creative studio in Brussels in 2013, Lemercier hasbeen developing ever more ambitious installations, gallery pieces, and research experiments that expand the creative possibilities of projected light in space. In recent years, he has sought to completely dematerialize the projection surface, working withtransparent materials and water mist.

Since 2015, the studio is now based in Brussels, Belgium, and ran by Juliette Bibasse.