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公共互动装置《A KMA work》
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TOM WEXLER
2023-10-09

公共互动装置《Congregation》:聚众
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TOM WEXLER
2023-10-09

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简介
我是一个视觉媒体和互动体验的创造者,也是一个充满激情的信徒,相信观众的积极作用。无论是通过线性讲故事来唤起情感反应,还是通过交互设计来直接控制体验,我相信,新兴技术,带着好奇心和原创性,为我们提供了吸引想象力的非凡新方式。
与Kit Monkman一起,我在KMA (KMA .co.uk)的旗帜下创作作品,我们的动态光装置在世界各地展出,从上海外滩到伦敦泰特英国美术馆和特拉法加广场。作为现场活动的视频导演和内容创作者,我创建了定制的媒体服务器解决方案,并在包括皇家阿尔伯特音乐厅,格拉斯顿伯里,萨德勒威尔斯,洛杉矶论坛,国家剧院和英国,欧洲和美国的竞技场在内的场地和节日中使用这些解决方案。
在最近的两部故事片——《麦克白》(2018年,迪尔·蒙克曼)和《杀了我的刀》(2014年,迪尔·蒙克曼/罗默)中,我使用了绿幕拍摄技术和一种非常规的场景设计方法,以帮助创造电影和戏剧的混合体:一种将观众置于世界共同创造者的位置的方法,一种允许环境传达比地点和时间更多的东西的方法。
在过去的二十年里,我与艺术和娱乐界的艺术家、导演和制片人一起工作,包括Prince、Lloyd Newson / DV8、Darshan Singh Bhuller /凤凰舞蹈剧院、Hamish Hamilton、Paolo Nutini和London Grammar。
I am a creator of visual media and interactive experiences, and a passionate believer in the active role of the audience. Whether conjuring emotional responses through linear storytelling or enabling direct control of experience through interactive design, it is my conviction that emerging technology, approached with curiosity and originality, presents us with extraordinary new ways of engaging the imagination.
Together with Kit Monkman, I create work under the banner of KMA (kma.co.uk), with our kinetic light installations being presented around the world in venues from Shanghai’s Bund to London’s Tate Britain and Trafalgar Square. As a video director and content creator for live events I have created bespoke media server solution and used these at venues and festivals including the Royal Albert Hall, Glastonbury, Sadler’s Wells, Los Angeles Forum, the National Theatre and arenas across the UK, Europe and the US.
In two recent feature film projects – Macbeth (2018, Dir Monkman) and The Knife that Killed Me (2014, Dir Monkman/Romer) – I have used green-screen filming techniques and an unconventional approach to set design to help to create a hybrid of cinema and theatre: an approach that places the audience in a position of co-creators of the world and one which allows the environments to convey much more than place and time.
A serial collaborator, I thrive on developing work with other creatives and over the last two decades have worked alongside artists, directors and producers in the arts and entertainment world, including Prince, Lloyd Newson / DV8, Darshan Singh Bhuller / Phoenix Dance Theatre, Hamish Hamilton, Paolo Nutini & London Grammar.
与Kit Monkman一起,我在KMA (KMA .co.uk)的旗帜下创作作品,我们的动态光装置在世界各地展出,从上海外滩到伦敦泰特英国美术馆和特拉法加广场。作为现场活动的视频导演和内容创作者,我创建了定制的媒体服务器解决方案,并在包括皇家阿尔伯特音乐厅,格拉斯顿伯里,萨德勒威尔斯,洛杉矶论坛,国家剧院和英国,欧洲和美国的竞技场在内的场地和节日中使用这些解决方案。
在最近的两部故事片——《麦克白》(2018年,迪尔·蒙克曼)和《杀了我的刀》(2014年,迪尔·蒙克曼/罗默)中,我使用了绿幕拍摄技术和一种非常规的场景设计方法,以帮助创造电影和戏剧的混合体:一种将观众置于世界共同创造者的位置的方法,一种允许环境传达比地点和时间更多的东西的方法。
在过去的二十年里,我与艺术和娱乐界的艺术家、导演和制片人一起工作,包括Prince、Lloyd Newson / DV8、Darshan Singh Bhuller /凤凰舞蹈剧院、Hamish Hamilton、Paolo Nutini和London Grammar。
I am a creator of visual media and interactive experiences, and a passionate believer in the active role of the audience. Whether conjuring emotional responses through linear storytelling or enabling direct control of experience through interactive design, it is my conviction that emerging technology, approached with curiosity and originality, presents us with extraordinary new ways of engaging the imagination.
Together with Kit Monkman, I create work under the banner of KMA (kma.co.uk), with our kinetic light installations being presented around the world in venues from Shanghai’s Bund to London’s Tate Britain and Trafalgar Square. As a video director and content creator for live events I have created bespoke media server solution and used these at venues and festivals including the Royal Albert Hall, Glastonbury, Sadler’s Wells, Los Angeles Forum, the National Theatre and arenas across the UK, Europe and the US.
In two recent feature film projects – Macbeth (2018, Dir Monkman) and The Knife that Killed Me (2014, Dir Monkman/Romer) – I have used green-screen filming techniques and an unconventional approach to set design to help to create a hybrid of cinema and theatre: an approach that places the audience in a position of co-creators of the world and one which allows the environments to convey much more than place and time.
A serial collaborator, I thrive on developing work with other creatives and over the last two decades have worked alongside artists, directors and producers in the arts and entertainment world, including Prince, Lloyd Newson / DV8, Darshan Singh Bhuller / Phoenix Dance Theatre, Hamish Hamilton, Paolo Nutini & London Grammar.
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